Alberto Ballocca
“Subterranean Art of Psyche”
Alberto Ballocca (b. 1993 – Turin, Italy) is an artist whose work emerges from an intuitive and emotionally charged process. Rooted in layered composition and guided by instinct rather than a singular formative moment, Ballocca’s practice reflects a deliberate surrender to the unknown. Images surface organically within his canvases, forming through the interplay of gestural marks, nuanced textures, and the subconscious. His visual language is one of self-construction —at once visceral and composed— evoking a psychological interiority that resists linear interpretation. Each work becomes a site of accumulation, where form, memory, and impulse converge in a balanced yet deeply expressive terrain. Ballocca’s approach is marked by a sensitivity to material and rhythm, resulting in compositions that feel both immediate and enduring.
Álvaro J. Caviedes
“Light Intuition”
Álvaro Caviedes from Cali, Colombia (1994) is a visual artist and cinematographer based in the United States. His practice merges analog and digital processes, working with double exposures, documentary film, and experimental photography to explore memory, transformation, and the hidden narratives within landscapes and human experience. Through his project La Ventanart, he develops visual stories that highlight the voices of artists and communities, turning art into a collective act of resistance and imagination. His work has been presented internationally and continues to expand as a dialogue between light, body, and territory.
Hilde A Danielsen
“Time wave with Hilde A Danielsen”
Norwegian Hilde A Danielsen’s artworks balance in an expanded field of spatial visual art, arts & crafts and sculpture installation, free standing or site-related art with references to architecture and landscape. Danielsen has participated in several art exhibitions and interdisciplinary projects in Norway and abroad, including the Netherlands, Denmark, Sweden, Finland, Poland, UK, Germany, USA, South Korea, and Australia – building large scale art on site. The most recent Solo exhibitions were at Sami Contemporary Art Centre in Karasjok, Finnmark summer 2025, and at Gallery N. Bergslien in Eidfjord, Hardanger in spring 2025. International Group exhibitions with “CoV 2 Corridors” at Stockholm Wallstreet 2025, Sweden and at NordArt 2023 in Germany. Danielsen did participate with IPIHAN#13 at Rotterdam Art Week 2024, and in exhibition at Salangsverket during the Salangen Biennale 2023 (curated by IPIHAN, the Netherlands) in Troms, Norway. Previous Solo-exhibition with installation “Ro min båt”, – within theme The Boat and sculptor Nils Aas (1933-2004), his 90th Anniversary arranged by Nils Aas Kunstnverksted. Outdoor Ro min båt did open in Muurstrøparken, Inderøy, Trøndelag, Norway. Danielsen did tour with “CoV 2 Corridors” and “Tiden går/Time passes” in Australia for years – and latest represented with Sculpture by the Sea Cottesloe 2022, Perth, Western Australia, and Sculpture by the Sea Bondi 2022, Sydney, NSW – after 2-year lockdowns (corona-quarantine) in art and culture globally. As well as Tiden går/Time passes was back with Hillview Sculpture (Indoors) until 2024. From Hillview Sculpture 2018 the large sculpture Time goes by was purchased. Standing still today beautifully patina grey on Southern Highlands. At last, Sculpture by the Sea Bondi 2022, at Marks Park – did happened at the same time as Hilde A Danielsen was at 3 months Artist in Residence in Carss Park, George River Council, Hurstville Gallery and Museum, Sydney, NSW, in Australia. Where she developed art sides and the concept of Ro min båt (Translated; Row or calm my boat) mentioned above for Muustrøparken with Nils Aas. In 2021, Danielsen participated in the Kjærringøy landscape biennale, K-Lab 21, in Nordland, Norway and was a guest artist locally at S12 gallery and workshops in Bergen – beside this her solo-exhibition with “Koronakorridorene” at Hå gamle prestegård, Jæren, Rogaland also 2021. Danielsen was invited to Artist in Residence in Ålesund, Eidfjord, Vadsø in Norway latest two years, and to Berlin, Germany, with Norwegian Sculptor Society at Studio 11, Herman Noack. Danielsen does participate with her long-term concept “Transparent brickwalls” in art at the Korean International Ceramic Art Biennale, KICB 2019, in South Korea – Online Gallery still open in 2025. And in CraftHub Tiles and Bricks in collaboration with Nova University in Lisbon, Portugal (EU project). As well as with Brick Kunsthall KAdE catalogue in The Netherlands. She holds a MA in Ceramic art, with the concept Transparent brick in art and architecture from Bergen National School of Art and Design/ The Faculty of Fine Art, Music and Design (KMD) UiB. Her art is represented in permanent public collections in Oslo, Trondheim, Ibestad and Tromsø municipalities in Norway, Region Stockholm, in Sweden, as well as in park in Gdansk, Poland, and in private collections at Southern Highlands, NSW, Australia, and with Sculpture Space, Utica, NY, United States. Danielsen is now working with KORO for Public Art Commission in Norway for the Force, and she is in competition for Public Art in Paris, France upcoming year. As well in commission competition Art to Storåna Park, Sandnes municipality, Rogaland, Norway.
Molly Valentine Dierks
“Love Language of the Mystical: Poetry, Nature, Art, and Robots”
Through immersive installations that draw equally from nature and technology, Molly Valentine Dierks explores evolving landscapes of intimacy, distance, and connection. Dierks studied Psychology (Dartmouth College, BA); Sculpture & Extended Media (Virginia Commonwealth University); and Art & Design, performance, and architecture (University of Michigan, MFA). She has participated in exhibitions nationally (Dallas, Detroit, LA) and internationally (Russia, South Korea, Sweden, China); including exhibitions at the University of Michigan Museum of Modern Art, Kunsthalle Detroit Museum of Contemporary Art, and 500X Gallery in Dallas, Texas (among others). Select works have been featured in the Museum of Contemporary Art Detroit’s ‘Post Industrial Complex’, Designboom, Voyage Dallas, The Jealous Curator, Peripheral Visions Arts, and more. Dierks’ public installations (Detroit, Minnesota, Dallas, Fort Worth, Denver) rely on the visual language of signs and mass-production/media to meditate on transitional states like vulnerability and evolution. Through ongoing research and residencies all over the world (China, Japan, Korea, Iceland, Finland, & the rural US), she explores different landscapes, translating the poetry of her experiences through her work.
Kun Fang
“Plaything”
Kun Fang studied painting in the academies of Beijing, Gent and Antwerp. She was remarked for her solid painting technique, colorful style and humanist, optimist approach of subjects like cultural differences and integration. Kun participated in many cultural events around Europe and China. While cherishing collaborations and experiments, she maintained a continuous focus on painting in her studio. This resulted in an impressively large and diverse body of work. Her work isn’t limited to one style and can be organised in series along intersecting themes. The viewer who becomes familiar with the recurring symbols and the intense color is struck by the beauty and energy of each individual work. Kun Fang’s color use is inspired by european modernism and eastern traditions of refinement. Her work shows a refreshing lack of tendenciousness, following passion into historical styles, narratives and conceptions of beauty, accepting the search for meaning bravely and independentally.
Fanyun
“Rain Rite”
Fanyun Peng is a New York–based multimedia artist celebrated for crafting innovative interactive experiences that blur the boundaries between the virtual and the real. Her work explores the dynamic interplay between people and space, the digital and the physical, and the spiritual and technological—often weaving together emerging tools such as AR, VR, and AI with tangible environments to create deeply immersive worlds.
Her projects include the award-winning Alopecia Mirror for Pfizer (2024), recognized by The One Show, MM+M Awards, and The Creative Floor Awards for its groundbreaking use of augmented reality in healthcare. In 2025, she collaborated with architects Richard Gluckman and Andrew Weigand on Infinite Harmony, an experiential installation curated by Danielle Chang at the Oculus, World Trade Center, which received a NYCxDESIGN Award for excellence in public art.
Sahar Hasan
“Do You See Me? Art, War, and Childhood”
Sahar Hasan is an artist and curator whose practice explores hidden psychological landscapes across human experience, with a special focus on children and women living through conflict and cultural transition. Her work examines suppressed dreams and untold stories that shape identity and memory. By combining figurative painting with Middle Eastern decorative arts, calligraphy, and traditional motifs, she builds layered visual narratives that connect personal experience with collective histories. Her recent projects amplify the voices of communities affected by conflict and social marginalization, using art as a space for healing, reflection, and dialogue.
Jaysunista
“No Flash Photography”
Self-taught, 25 years of age, nomadic artist, Jason “Jaysunista” goal is to spark connections and build experiences between and for people through his work. His introduction to painting began with spray painting planets and scenes of space. Many of his early works embraced conceptual compositions based around the piece’s title which is now an integral aspect of his current work. In pursuit of developing his own style and innovating within the art community with his “No Flash Photography” project, Jaysunista has worked with multiple styles and art disciplines including, acrylics, oil, pastels, sculptures, custom clothes/ accessories, fluid painting, 2D/3D design, photography, video/photo editing, motion design, and animation.
DIAMOND.K
“Because you cannot get the past mind, present mind, nor the future mind : The eye of the mind – Water Ⅱ”
DIAMOND.K(Minyoung Kang) studies the Printmaking and the Art history from Hongik university(Seoul, KO) and works on printmaking, photography, mixed sound, video and Art theory and criticism. In the course of art history research, she wrote a master’s thesis in the field of Korean contemporary artist research based on a exploration of the study of artistic expression of printmaking and textiles art related to contemporary experimental and Catholic art. Currently, after being deeply influenced by Buddhist philosophical ideas, she is focusing on the natural understanding and interpretation of the object called ‘human’ based on “Zero Concept” of Buddhist philosophy. Since 2020, she has served as an academic assistant at the National Museum of Modern and Contemporary Art and as an manager at the National Museum of Korea’s Digital immersive gallery, and has worked on the direction and field of art in the era of technology. She currently operates POSTHUMAN Studio, which considers artists and the future of the post-human era.
Kang SuJeong
“Sensory Intersection Between Humanity and Machine Civilization”
I’m a media artist based in Seoul, South Korea. My artworks are grounded in media art, exploring the relationship between technology, human perception, and the rhythm of urban life. Through 3D animation, digital visuals, and immersive environments, I create spaces that move between the mechanical and the organic
Angie Kim
“Unveiling Sensations”
Angie Kim is a South Korean artist currently based in Seoul, whose practice moves between painting and sculpture to explore the tactile and psychological dimensions of material. Trained as a sculptor at Ewha Womans University and holding an MFA from Pratt Institute (2024), she creates layered surfaces with paper pulp, wax, fabric, and pigment that evoke the body—at once alluring and unsettling. Her works probe the coexistence of intimacy and unease, attraction and repulsion, transforming ordinary matter into visceral abstractions. Centered on questions of self and embodiment, Kim’s practice invites viewers to reconsider painting as a sculptural, sensory encounter while embracing the fragile and layered nature of human experience.
Yoonyoung Kim
“The Uneven Future: A Visual Study in AI Exclusion”
Yoonyoung Kim is a Seoul-based artist and AI engineer whose interdisciplinary work explores how machine systems shape aesthetic experience and creative agency. With a background in engineering and a sustained practice in visual art, Kim combines machine learning techniques with human curatorial sensitivity to examine the co-authorship between humans and algorithms. Her project has been exhibited at the CICA Museum and featured in international art publications, including Aesthetica Magazine. She continues to develop projects that critically engage with the logic and language of artificial intelligence in art.
Olivia Loh
“Transient Control”
Olivia Loh is an engineering graduate student passionate about merging technology and art. Leveraging a background in real-time systems, computer vision, and sensing technology, Olivia seeks to create immersive experiences that invite audiences to engage critically with ideas and participate actively in art. Through projects like Transient Control, they explore themes of agency, uncertainty, and the human relationship with control in a digital context.
Stepan Myannik
“Blobs and Caves”
Stepan Myannik (b. 1994, Russia) is a multidisciplinary artist whose practice spans painting, sculpture, installation, and digital media. Educated at Camberwell College of Arts and Winchester School of Art (UK), Myannik’s work bridges formal experimentation with a critical engagement in political and bodily trauma. After relocating to Georgia in 2022, following the war and increasing political repression in Russia, his practice has deepened its exploration of themes of censorship, violence, and the resilience of memory. His art has been exhibited internationally, including at CICA Museum (South Korea), the New Tretyakov Gallery (Russia), and in major art fairs such as COSMOSCOW and BLAZAR. His projects have also appeared in numerous group exhibitions across Europe. Beyond exhibition spaces, his work has been profiled in international media such as Tagesspiegel, Dradio Kultur, and Afisha, underscoring the global relevance of his inquiries. Now based in Tbilisi, Myannik continues to experiment across media, producing materially rich and often confrontational works that resist neutrality. His projects frequently combine humor and absurdity with themes of healing, protection, and unresolved trauma, offering viewers spaces where intimacy collides with unease.
Irina Papuc
“In the Garden of Illusions, there are many Realities”
Irina is a Romanian-American self-taught artist whose works explore themes of alienation, freedom, magic, inner worlds, the construction of the self, and the liberation of the self, with inspiration drawn from medieval and renaissance art and fables.
Blending her emerging art career with a life of exploration, Irina has painted the portrait of the leader of Tuvalu, created a public works mural in a tribal land in Vanuatu, and her works have been exhibited in London and New York.
Megha Sachdeva
“Constellations”
Megha Sachdeva is Media Artist, Creative Technologist and UX Designer whose practice blends technology, storytelling, and sensory design to create transformative environments. Her work spans interactive installations, projection mapping, and data-driven visualizations, often integrating real-time graphics, spatial audio, and motion tracking. Megha’s projects have explored themes of astronomy, cultural narratives, and healing through art. She holds a Master’s in User Experience from Arizona State University, where she specialized in experience design and interactive systems. Her work has been showcased multiple times at ASU’s Media and Immersive Experience Center (MIX Center), including a solo exhibition for her project Kaleidoscope of Thoughts.
Dikla Stern
Dikla Stern is an artist, designer, and lecturer. In 2003, she received a diploma in Fine Arts and Design from the Avni Institute in Tel Aviv. In 2007, she completed her Master of Arts in Communication Design, Philosophy and Media Theory, at the Mannheim University of Applied Sciences under the supervision of Prof. Dr. Thomas Friedrich (Editor of the Journal for Critical Theory).
Anat Wegier
“To Whisper in a Loud World: Painting, AI, and the Feminine Space of Silence”
Anat Wegier is a French-Israeli multidisciplinary artist whose practice explores the emotional architecture of identity, feminine presence, and inherited silence. Her oil paintings are rooted in personal mythologies-poetic, cinematic narratives that unfold across the canvas in a visual language both intimate and symbolically charged. Blending classical techniques with contemporary tools, Wegier’s process begins with AI-generated storyboards inspired by imagined scenes. These digital visions are refined in Photoshop and transferred to canvas, where she paints over them by hand-layering emotion, gesture, and texture to reclaim authorship and evoke ambiguity.
Wegier holds a B.A. and M.A. in Art History from Tel Aviv University and pursued advanced studies in figurative painting and contemporary art in Barcelona, New York, and Jerusalem. Her work has been exhibited in galleries and art fairs across Israel, London, Madrid, Miami, and South Korea. With a palette rich in symbolism and atmosphere, her paintings invite viewers into a world where story and silence, memory and identity, begin to merge.
Zi Zhuo
“Sci-fi Gallery New York – A Cinematic Cultural Landmark”
Zi Zhuo is an award-winning architectural designer at NAC Architecture in Seattle, WA. Before joining NAC, he contributed to the field of architecture at Ayers Saint Gross in Washington, D.C. He holds a bachelor’s degree in architecture from Chongqing University and a master’s degree in architecture from the University of Virginia. As a core team member, Zi has played a significant role in numerous planning and design projects, delivering exceptional services to dozens of communities and positively impacting thousands of people living. Known for his outstanding teamwork and professional knowledge, Zi is highly regarded by colleagues and clients alike. Zi’s work has earned multiple global awards, with his projects receiving international recognition and media attention. His diverse portfolio—ranging from intricate exhibitions to iconic skyscrapers—demonstrates his ability to translate visionary concepts into functional, innovative structures. Combining design, research, and analysis, Zi is dedicated to crafting architectural solutions that address real-world challenges with precision and artistry.